Friday, February 18, 2022

Working for my uncle.




During my teenage years I spent a lot of time taking care of my brother Lowell. I also helped my dad build several houses and had little time for a “real Job” It my late teens I worked for a while refurbishing Electrolux vacuum cleaners in a small store front on west main street in Belleville. My 1second job, before I left Belleville for college, was at my uncle's baker shop, Beyers’ Bakery.  I started out cleaning pans and stocking supplies and I graduated to donut frying after a few months. I also delivered bakery goods to a second Belleville store and a store in New Athens, Illinois about twenty miles from Belleville.  I started work at five in the morning My uncle arrived about an hour earlier and had the donuts, bread and other pastries rising in the steam cabinet and  I fried donuts for several hours. My  uncle would feed the bread pans and coffee cake pans into the oven. The raised donuts were put on a wire rack and gently lowered into the hot grease. I iced and filled filled the jelly donuts and put the regular donuts on a long dowel rod glazed them, set them upright on a sheet pan and  put them on rack. I  helped my uncle remove the pans from the oven. We use long wooden paddles to bring the pans to the edge of the over and grabbed them with heavy gloves and put the hot bakery of cooling racks. I loaded the panel truck and delivered the donuts to Belleville High School and the other stores. I returned and washed pans until about t three in the afternoon.  Some mornings I had to carry the bags of flour and mix from the basement storage. He was a dark and dank cellar with a  stone foundation. When you turned on the light you would often see rats scurry away. I would quickly hoist the floor sack on my shoulder and climb the small rickety stairs.  I could hear my uncle say, “what a baby...scared of few harmless rats”.  The days were usually ten hours long six days a week. My pay was fifty cents and hour. My uncle did offer me dollar an hour if I would forgo college and help him with the business. I am sure glad I decided to walk away.


My uncle, like my dad was a stern taskmaster. He criticized me a lot and made fun of my size and quiet demeanor. I did not complain much but the abuse was intolerable most of the time. I eventually walked off the job and was severely berated by my father for being a “quitter”. Fortunately, I left for college shortly after quitting. I did no see my uncle for many years. We did reconnect when I returned to Belleville to teach. At that time his Bakery business was going bankrupt and he owed a lot of money. He left in the middle of the night with his family and purloined baking equipment and headed for Florida.


"Things hidden in my head" Copyright 2013 © Ronald D. Isom, Sr.

Thursday, February 17, 2022

Outsider artist




Artists generally feel the societal obligation to sell their work or somehow share it with others. Many artists judge their success by the number of exhibitions, sales or gallery affiliations. Outsider artists do not feel this obligation and for the most part their work goes unnoticed until someone finds it hidden away in a cluttered studio.  The traditional way to sell your work or make it available to the public is the gallery system, juried exhibitions, and art fairs.  To some extent I have eschewed these methods and found less traditional methods to distribute my work. Over the last fifty-years my main distribution method has been simply giving my work away.  No need for marketing or “one man shows”. Like the undiscovered outsider artist, I earn a very small portion of my income from art sales. During my teaching years, I was very cautious not to profit from the art I created in the classroom and I made a point of giving my pieces to students or charity. Recently, the internet has served as an easy way to disseminate my artistic endeavors. I have posted hundreds of high resolution pieces with no watermarks and I check Google often to see were my work has traveled. Using the internet does not get rid of the physical products of creation and storage is problematic in an apartment settings.  My latest method of dispersal involves the I Pad. My images can be easily stored on thumb drives and a small space can accommodate  thousands of pieces of art. 


Am I a success? If you go my the numbers my success is questionable. If you consider where some of my work has ended up, I may have a shot at the success label. Recently, one of my students from the 1970s confessed, in a email, that he or she had taken one of my drawings from a stack of work in the art room and never told me. He/she wanted to know if I would like to have it back. The person had kept the work for thirty-four years!  I told the individual to keep the work and I was happy it had a home for so many years.  Most of the work I did in college has also disappeared over the years with moves from house to house. On my way to my wedding, I strapped several large canvases to the top of my new Corvair and somewhere on route 66, north of Bloomington, Illinois, they were blown off the roof of the car and sailed into a field of winter wheat.  I will never know if the farmer saved them or baled them. When I unceremoniously abandoned my studio at Governor French Academy in Belleville, I left behind several hundred pieces of work that I created when I was artist in residence. Some of them are still on the walls and many have been left to fade in the sun. On Facebook many of my former students have told me stories about a piece of work I gave them. Some kept props from one of my set designs and one student still has a tie that I cut in half in class as a motivational device. He also has the hand painted coat I made for Joseph and the Amazing Technicolor Dreamcoat.  I still can’t figure out who took The Wizard of Oz mask or the bloody leg from Little Shop of Horrors. The list goes on: a painted cloths pin, a sculpture made out of a deck of cards, a building made of scrap wood, several had drawn books, countless pieces of pottery, a dozen hand painted ceramic eggs and of course, many students learned to make a bunny out of a handkerchief. And finally the “pièce de résistance," someone found a piece of my work at a garage sale.


Someday in the distant future my work may be found by a collector or “garage sale buyer” in a dusty cluttered apartment studio crammed with useless scrapes of paper covered with felt tip markers, decorated plastic cups, paper boxes and of course those little USB flash drives filled with puzzling images.





"Things hidden in my head" Copyright 2013 © Ronald D. Isom, Sr.

Painting experiment.


Painting experiment circa 1990's. Acrylic/enamel paint, found objects, old brushes. Sheet of masonite  4'X4'. Governor French Academy Studio.



                            "Things hidden in my head" Copyright 2013 © Ronald D. Isom, Sr.

Wednesday, February 16, 2022

From the Google image catalog. Digital images






                                "Things hidden in my head" Copyright 2013 © Ronald D. Isom, Sr.

Monday, February 14, 2022

I sing the Poppy!





In Flander's fields, written by Colonel John McCrae, of Guelph, Ontario, Canada


In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

-Lieutenant Colonel John McCrae (1872 - 1918)





I sing the Poppy! The frail snowy weed! The flower of Mercy! that within its heart Doth keep "a drop serene" for human need, A drowsy balm for every bitter smart. For happy hours the Rose will idly blow-- The Poppy hath a charm for pain and woe.

Mary A. Barr Quotes ,







"Things hidden in my head" Copyright 2013 © Ronald D. Isom, Sr.

Pittura metafisica.

      

 Mysterious  movement. Digital image. Ink drawing scanned and altered with Mac apps.


Metaphysical art (Italian: Pittura metafisica) was a style of painting that flourished mainly between 1911 and 1920 in the works of the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began with Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, 'painting that which cannot be seen'.[1] De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917. The Metaphysical school proved short-lived; it came to an end about 1920 because of dissension between de Chirico and Carrà over who had founded the group.


https://en.wikipedia.org/wiki/Metaphysical_art



Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.

Hans Hofmann


Read more at http://www.brainyquote.com/quotes/keywords/metaphysical.html#QishcvsouAHE0mYC.99




"Things hidden in my head" Copyright 2013 © Ronald D. Isom, Sr.