Seasons...

Sympathy with the seasons

Nature is the armory of genius. Cities serve it poorly, books and colleges at second hand; the eye craves the spectacle of the horizon; of mountain, ocean, river and plain, the clouds and stars; actual contact with the elements, sympathy with the seasons as they rise and roll.
Amos Bronson Alcott (1799-1888) - The Journals of Bronson Alcott, January, p. 187, Little Brown & Co., Boston MA, 1938.

"Things hidden in my head" Copyright 2014 © Ronald D. Isom, Sr.

More than meets the eye...

Allegorical landscape

“more than meets the eye”

Digitally enhanced ink drawing

Sometimes there is more to art than meets the eye, even in landscapes. A picture of a green valley is not only about a valley if the artist intended it as an allegory. In art, allegories express a truth about life or human nature through symbols. As an allegory, a green valley might represent many ideas, such as prosperity or optimism for the future. 

"Things hidden in my head" Copyright 2013 © Ronald D. Isom, Sr.

Dreams...

Island of consciousness 

“dreams and fantasies”

11"X14" Ink drawing

“At the very apex of the psyche is the ego, which is at the center of consciousness. Jung likes to think of consciousness as an island, and surrounding this island is a very large ocean that represents the unconscious. Stretching away from this island toward the deep is a shadow land Jung calls the personal unconscious. It belongs to the individual and holds countless forgotten experiences; it is formed from impulses, wishes, and subliminal perceptions. Memories can be recalled from this area either through dreams, fantasies, chance associations, or even direct recall.” http://www.soultrek.com/12%20psych%20jung.html

"Things hidden in my head" Copyright 2014 © Ronald D. Isom, Sr.

Phenomenology...

Phenomenology of Perception

“complex scenes of life”

“Gestalt principles, or gestalt laws, are rules of the organization of perceptual scenes. When we look at the world, we usually perceive complex scenes composed of many groups of objects on some background, with the objects themselves consisting of parts, which may be composed of smaller parts, etc. How do we accomplish such a remarkable perceptual achievement, given that the visual input is, in a sense, just a spatial distribution of variously colored individual points? The beginnings and the direction of an answer were provided by a group of researchers early in the twentieth century, known as Gestalt psychologists. Gestalt is a German word meaning 'shape' or 'form'. Gestalt principles aim to formulate the regularities according to which the perceptual input is organized into unitary forms, also referred to as (sub)wholes, groups, groupings, or Gestalten (the plural form of Gestalt). These principles mainly apply to vision, but there are also analogous aspects in auditory and somatosensory perception. In visual perception, such forms are the regions of the visual field whose portions are perceived as grouped or joined together, and are thus segregated from the rest of the visual field. The Gestalt principles were introduced in a seminal paper by Wertheimer (1923/1938), and were further developed by Köhler (1929), Koffka (1935), and Metzger (1936/2006; see review by Todorović, 2007). For a modern textbook presentation, including more recent contributions, see Palmer (1999).”

http://www.scholarpedia.org/article/Gestalt_principles

"Things hidden in my head" Copyright 2014 © Ronald D. Isom, Sr.

Connections...

Connections inside my head

“That reminds me..”

11”X14” Ink drawing

If one thing makes you think of another thing, you form a connection between them in your mind. The more connections you have, the better access you have to cross-connections. The more things something can remind you of, the more you know about it, or are learning about it.

"Things hidden in my head" Copyright 2014 © Ronald D. Isom, Sr.

Free passage...

Free passage for the soul 

“a place of transition “

11”X14” Ink drawing

In The Book of Symbols, the door is described as a place of transition. In ancient Egyptian tombs, doorways were built to allow free passage for the soul. In ancient Roman cities, the deity Janus protected doorways into the city. The door also protects a house from the elements and whatever else is outside. In the Christian tradition, people often hang crosses over the doorway to keep out evil spirits. In some Eastern traditions, it is recommended to keep a Buddha statue facing the door, so when people enter he is the first thing they see.

(Archive for Research in Archetypal Symbolism. The book of Symbols. Germany, 2010.)

"Things hidden in my head" Copyright 2014 © Ronald D. Isom, Sr.